Tuesday, August 16, 2005

Not for all the love in the world

It's not about winning the battle. Sometimes you have to lose the battle to win the war. You should know that better than me, you did love to read Sun Tzu and the Art of War. But I guess, here again, I am wrong. Nowhere did Sun Tzu mention that losing the battle was a wise decision...in fact, it was, win, win, win.

So there, this early in the argument, I lose. I lose, and move on with a heavy heart and leaden feet. Another wrong decision, another rejection, another unwise move.

You show your age,
when you drown your rage.
But i see past those laughter lines

You never did, I guess. Or is that statement another demeaning generalization from me?

Pipe dreams fade,
and all the underdogs get laid.
Left your heart in the hands of a jugglin clown.
And so you crave recognition,
but the keys to the city went missing

People are all puzzles to be figured out
But you just said,
"Not for all the love in the world"

Cause she didnt realize, now thats alotta love

I guess that everybody,
went to a better party, oh no
Not for all the love in the world
But she didnt realize, now thats a lotta love.
-- The Thrills


The party is always better on the other side.

Monday, August 15, 2005

You call this good governance?

According to the government, we are in the midst of a fiscal crisis. Oil prices are rising, and these oil prices are beyond the control of the government, so we should all do our share in belt-tightening measures.

According to the government, we have very little money to spend on crucial education and social welfare programs. But the popularity rating of GMA is at an all-time low, and she is constantly on the verge of being unseated.

So what does the government do? It will risk the ire of troubled MRT commuters by reducing the number of MRT tickets in circulation. It will cut up existing and fully functional MRT tickets, implement a manual system to replace the fully functional automatic ticketing sytem, and spend 10 million pesos to create new MRT ticket cards. Why, you may ask? Why did the ticket shortage occur? Bigla bang dumami ang populasyon ng Pilipinas? Hindi. They decided to phase out fully functional MRT cards that had Erap's picture. In the midst of all the budget deficit talks. Perhaps...not seeing Erap's face will make everyone love GMA more? Haha. Talk about using government resources to hold on to power...this is one hell of a vain and power-hungry president.

Read the full article from INQ7.net here.

A critical shortage of tickets has prompted MRT 3 management to cut into two most of the old tickets and reuse these as manual passes for train rides, MRT 3 General Manager Roberto Lastimoso said.

Last month, the MRT 3 started using tickets bearing the face of ousted President Estrada but pulled out the electronic cards after the agency reportedly got into trouble with MalacaƱang.

The pullout of 400,000 Estrada electronic cards in mid-July immediately led to a shortage of tickets. Lastimoso said the agency needed 800,000 tickets a day so it won't have to retrieve from the machines.

But lately, only 245,000 tickets are usable. "So we retrieve our tickets four times a day. Even that is not enough so we resorted to cutting the old ones."

MRT 3, which carries about 420,000 passengers each day, is hard-pressed for funds, according to Lastimoso, which was why it has a hard time financing even the production of the electronic cards.

The agency is seeking a P20-million budget for a one-year supply of tickets but often, the budget gets channeled to items like salaries and other operational expenses.

"We will soon get the delivery of the first batch of the 800,000 tickets we ordered. Maybe, we can get half of that by the second week of September," he said.

Winning bidder Digicom will print 800,000 cards for P10 million.


Yes, this is the solution to all the political instability. This woman sure has her priorities straight.

Friday, August 12, 2005

Wednesday, August 10, 2005

Cry Freedom

Rating:★★★
Category:Movies
Genre: Drama
Who is Steve Biko?
Cry Freedom and the flight for freedom

===========
Directed by Richard Attenborough
Starring: Kevin Kline as Donald Woods
Denzel Washington as Steve Biko
============


It is 1975 and we are in Cape Province, South Africa. Amidst the violence of white militia persecuting panicking and hapless black communities, Richard Attenborough’s Cry Freedom introduces us to 1970s apartheid-era South Africa.

The movie tackles the story of Daily Dispatch editor Donald Woods, who is white, as he struggles to reveal the truth about South Africa’s oppressive anti-racial government, and its silencing of those who oppose such a system. His main subject is Steve Biko, his friend, and a black activist who had stood up to the South African government to raise black consciousness among his countrymen. The story is told in confusing flashbacks between the present, the past, and the future, and it takes a while for the viewer to get used to recognizing the time frame in which the scene actually occurs. It’s like a history book narration of the events, chopped up and re-assembled to achieve an artistic effect. And in some ways, it does work. The violence in the opening scene is eventually explained in the final sequence, completing a full circle and simulating a sense of closure for the viewer.

But in most ways, the rearrangement doesn’t work. For example, it is only half way through the latter part of the movie when the uninitiated finally understands who Steve Biko is. There are scenes that seem to be lost, like that of a black female editor berating Donald Woods for an editorial he wrote. The editorial’s topic was not mentioned, nor was the significance of who the black female editor is mentioned. (The scene exists to show us that Woods was initially openly critical of Biko’s pro-black stance, but Woods eventually supports Biko’s cause.) It is also with befuddlement that the viewer struggles to find out the significance of who Steve Biko is, what his connection with Woods is, and why the South African government “banned” them both.

Activist Stephen Bantu ‘Steve’ Biko believes that black men should not be second rate citizens in their own country. He establishes several medical clinics, patronized by black citizens and run by black doctors. He also encourages black students not to study Afrikaans, believing that this national language oppresses the unique identity of the black people.

After Biko dies suspiciously, Woods makes it his mission to expose the truth regarding Biko’s death. In the process, Biko’s advocacy for black consciousness is given newspaper space, and the South African government bristles at this disturbance of the status quo. Woods plans to go to the US to tell his story, but is stopped at the airport by the government. He is then “banned” for five years, forbidden to travel and, with the exception of his family, forbidden to meet up with more than one person at a time.

With his actions severely limited, and with no way to get Biko’s story across, he resorts to writing a book. Before his five-year sentence is up, he and his friends devise a way to smuggle him across to Zimbabwe, seek asylum, and get his book published. Disguised as a priest, Woods gets through different situations, and it is through his moments of difficulty, that Biko’s cry for freedom, and its need to be told, inspires him to move forward and trudge on. By January 1978, Woods and his family finally succeed in escaping from Africa. When Woods and his wife finally reunite in Zimbabwe, after a night of tense escape, Woods kisses his wife and says, “Welcome to exile.”

And exiled they are. But they do succeed in letting the world know the oppression in South Africa. However, the movie tempers that positive news by showing how white militia indiscriminately shoot down young black students rallying against using Afrikaans. The violence is shocking, and reminds the viewer that South Africa’s struggle for freedom isn’t over yet.

Kevin Kline delivers a sufficient portrayal of Donald Woods. Denzel Washington is superb as Steve Biko, downplaying his usually handsome and cultured self to deliver the goods. His Steve Biko is witty and charismatic, but unfortunately and quite ironically, his screen time is slightly limited. Penelope Wilton who plays Donald’s wife Wendy Woods, also deserves mention for effectively showing the strength and complex emotions that the wife of a man like Donald Woods must need to support him and their six children. British thespian Sir Richard Attenborough, excellent actor and Oscar-winning director of Gandhi, directs this historical drama.

The tagline of this 1987 movie is ”The true story of the friendship that shook South Africa and awakened the world.” It is a true story, and in the end both Biko’s and Woods’ voices joined all the cries for freedom that eventually forced South Africa to officially end apartheid in 1990. Too bad that in this movie, it somehow loses its focus on Biko and concentrates a lot on Woods’ flight for freedom, not even devoting much screen time to the vaunted friendship between the two. Nevertheless it still remains to be a story that should be told, and the world is a whole lot better for it.


Run Lola Run (Lola Rennt)

Rating:★★★★★
Category:Movies
Genre: Foreign
A Review of Run Lola Run
Lola rennt
A film by Tom Tykwer

Review by Symonette Lim


I've always been intrigued by the movie "Run Lola Run". Ever since it was mentioned that it was actress Franka Potente's break-out role, the role that made the producers of Bourne Identity notice her. And I really liked the Bourne Identity (the movie and the book), so it was only natural that Run Lola Run would interest me. But Bourne Identity, and Potente’s next movie, Bourne Supremacy, is another story altogether.

"Lola Rennt", or "Run Lola Run", is a German film directed by Tom Tykwer and starred in by his then-girlfriend, Franka Potente. She plays the role of Lola, who must come up with 100,000 marks within 20 minutes to save her boyfriend's life. Because of a series of minor unfortunate events, Lola’s boyfriend Manni lost the 100,000 marks that he must return to his gangster bosses. He calls Lola, and Lola must think of ways to come up with the money and be with Manni, all before 12 noon, or Manni dies.

And so Lola runs.

The opening credits shows goth clocks and timepieces, and for a moment there, I am thinking that this is an old-school European type of horror film. But the next sequences quickly get into the frenzied MTV-style pacing of the rest of the movie. Animated sequences to show Lola racing down her building steps are a clever device, and the adage “A picture is worth a thousand words” is perfectly apt to describe the quick picture montages used to tell the life stories of the people she bumps into. In a film that seemingly borders on a superficial music-video-type of energy, the value and consequence of every single second is explored and realized. Lola gets to repeat those crucial 20 minutes over and over, and each instance is different simply because of a few second’s difference.

In one instance, she trips over the stairs, and because of that delay, her dad’s mistress gets to succeed in telling him that she was pregnant, but it was not his baby. The other instances only had her telling him she was pregnant, and him assuming that it was his baby. The truths and half-truths in that storyline is interesting, and the value of time and how we react to certain information is interesting.

The segue to each instance is nothing short of clever. Sequence editing was exceptional, and we are able to empathize with Lola and Manni’s predicament. Romantic moments between the couple is shown balanced, one with Lola’s relationship dramas, and the other Manni’s. The musical score is brilliant, completely aiding the viewer in “feeling” the movie’s energy and vitality.

After watching the movie, I wanted to go to the gym. That was how effective the movie was in showing Lola running. But despite the frenzied pacing, the storyline between the two main characters was not neglected, and the two lead actors successfully act out their roles. Writer, director and composer Tom Tykwer is in his element here, and the clever plot twists, interesting story line, editing, music, and casting all add up to a great movie.

All in all, a clever and satisfying fun ride.



Popular Posts